FRDC recently commissioned an artwork by Aboriginal, Torres Strait and Māori artist Beau Pennefather Motlop, whose connection to saltwater runs deep, having assisted his grandfather, a passionate fisher, casting nets during his childhood.
We sat down with Beau to learn a bit about him, the inspiration behind his powerful piece and the message he would like to convey for National Aboriginal and Islander Day Observance Committee (NAIDOC) Week: The Next Generation: Strength, Vision and Legacy, which celebrates a 50-year milestone this July.
Beau's piece symbolises marine life from the Torres Strait all the way to Antarctica. The swirling patterns echo ocean currents, tides and seasonal shifts - natural rhythms that sustained his ancestors for generations. Beau also honours traditional fishing tools and hunting techniques, celebrating thousands of years of sustainable practices, while acknowledging the diversity of modern Australian fishing - including wild catch, aquaculture and recreational fishing.
What is your intention with this artwork?
I have attempted to symbolise all the marine animals from the Torres Strait to Antarctica. My patterns are representing ocean currents, tidal, seasonal and weather changes, all important factors for our ancestor's survival. I also included traditional tools and techniques to highlight our ancient fishing and hunting connections. I used modern and traditional techniques for this artwork.
Tell us a little bit about yourself.
I grew up in Cairns, Far North Queensland from the age of eight years old. My background includes Aboriginal from the Jirrbal tribe of the Surrounding Cairns region, Torres Strait Island descendance from the Wagedoegam tribe of Mabuiag Island as well as Ngapuhi from New Zealand. My Torres Strait Island Totems are Crocodile, Snake, Stonefish and Remora. My Aboriginal Totem is Dingo.
I love to create depth and dimensions with colours and size differences, I use an abundance of detail and intricate patterns, but I also like to balance out my artwork with emptiness and quiet. My motifs and circular patterns are a unique combination drawn from my three Indigenous heritages.
How significant is fishing and/or aquaculture in your life?
Sustainable fishing and hunting practices are the reason for my ancestor's survival over thousands of years on this continent. My grandfather was an avid fisherman and in my youth, I would accompany him, helping him with casting nets, fishing and collecting pipis. A lot of my time with him as my main elder was during these times and his teachings revolved around saltwater. My connection to saltwater remains strong.
What is your message for NAIDOC Week 2025: The Next Generation: Strength, Vision & Legacy, which commemorates a 50-year milestone?
A message of respect and continuing acknowledgment of the original custodians of the land and sea we all call home. My other message is to also collectively guide and provide knowledge to our future generations to ensure our legacy remains strong.
